notes from the past: the letters between robert and clara

robertclaraschumann

A reminder of how even the greatest artists struggle with insecurities:

“The theater paper in Dresden recently wrote that my concert there was pretty much sold out–how shocking! And as far as improvising is concerned, I can take Willmers on any time. I’m scared to death about my trip to Paris; when I hear someone like Thalberg or Liszt, I always feel so insignificant, and I’m so dissatisfied with myself I could cry! If I had enough strength and could pull myself together, then I could accomplish much more, but I am too much in love; I simply can’t live for my music alone as Father wants; I can love music only through you, and that’s why I often have other things on my mind–you know what I am trying to say.” – Clara Wieck, to Robert Schumann, December 1838

Source: The Complete Correspondence of Clara and Robert Schumann, edited by Eva Weissweiler (New York: Peter Lang Publishing, Inc., 1994).

Advertisements

notes from the past: composers on composers

Eugene de Blaas, “The Friendly Gossips” (1901)

Haydn

On Mozart: “My friends often flatter me about my talent, but he was far above me.”

Joachim

On Liszt: “Liszt left me last night. One illusion after the other is vanishing as I go through life ; that pains me, not because I become more and more solitary, but because it makes one sad to regard with pity the things one used to look up to with awe and reverence and hardly dare to criticise. With his gifts of heart and mind Liszt might spread happiness around him — and in
spite of this he requires the most complicated machinery to hide from himself that he is, indeed, unhappy owing to his confusion of mind. There is a tendency to restlessness in his every action that has something unholy about it, in spite of all his moral aims. If only I could heal him!” (In a letter to Gisela von Arnim, June 1854)

Continue reading