on pre-screenings

Photo by Will Fisher.

It’s that wonderful time of year again: the air chills into a November crisp, bakeries and caf├ęs are flooded with the scent of pumpkin everything, students with book-laden bags shuffle across campus through flurries of gold and crimson leaves–and graduating music students hole themselves up in dank practice rooms till ungodly hours, start losing copious amounts of hair, and consume indecent amounts of caffeine.

It’s APPLICATION SEASON! Hurray!

One of the most important parts of your application as a music student is your pre-screening recording, which is a requirement for most reputable music schools across the United States. Now, recording is a very different creature from live performance. The good thing about recording is that you can start over if you mess up during a piece. The bad thing about it? You can start over if you mess up during a piece. “Maybe I should just re-do it” can be a hideously distracting thought that nags you for the whole piece after even the tiniest slip, and giving in to that thought too often will lead to frustration and a dozen unusable takes. So, here are some of the things I like to keep in mind when recording:

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