edition addiction

With manuscripts like these, no wonder there are so many different editions out there. (Manuscript for Beethoven's string quartet Op. 131.)

With manuscripts like these, no wonder there are so many different editions out there. (Manuscript for Beethoven’s string quartet Op. 131.)

One of my top expenses as a music student is, well, music. Buying scores can get so costly, and there are so many different editions out there to choose from! That’s why I asked my good friend Andrew (who is much more knowledgeable than I about these kinds of things) if he would write up an edition guide, to save the rest of us pianists from decision fatigue and undue worry about whether that one note in the third measure should be an A or a G. While he writes from a pianist’s perspective, I have no doubt that these guidelines will help other instrumentalists as well. Without further ado…

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5 things to take out of your bio right now

You wish you looked as good as Shostakovich while writing your bio.

Let’s continue the business theme started by last week’s post (“artist or entrepreneur? why not both?“). There are several things that are important for a musician to have whenever they apply for a school, competition, festival, or music-related job, and those are: the résumé, the repertoire list, the bio, and the headshot. Chances are, you’ve already written a bio (if not, look up some of your favorite musicians and see what their bios look like! They often list schools attended, primary teachers, any honors/awards accrued, distinctions in competitions and festivals, and ensembles played in). But many people (myself included) often neglect to update and streamline their bios–and there are always ways to do that! Check out Dale Trumbore’s very helpful guide 5 Things to Take Out of Your Bio Right Now.

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