This recent New York Times article by Vivien Schweitzer talks about the sacredness of certain composers and certain works–particularly the late, twilight-year compositions of Germanic composers such as Beethoven and Schubert–and the reverence with which most musicians approach them. Schweitzer compiles opinions from many famous musicians, both young and old, on how they deal with the question of being “ready”–emotionally, philosophically, mentally–to play any of these pieces that demand maturity and struggle. Some notable excerpts from the article:
“If I play a piece of Chopin or Schumann, it’s a one-to-one confession all the time, but with Beethoven, the slow movements are not so much a confession but more a kind of preaching. He has a bigger message about humanity. Earlier, I didn’t really understand and appreciate that expression.” – Leif Ove Andsnes
“In a case like Schubert, who died at 31, he had enough sorrow for a lifetime. There is something about the subtext of his music — people say you have to suffer a little more.” – Jeremy Denk
“I don’t take life for granted, and I don’t know if I will be alive in five years. As far as I know, no composer wrote on their score, ‘Forbidden to those under age 18.’” – HJ Lim
“On the one hand, Beethoven is unspeakably profound….On the other hand, there is not much gained about being too precious about it. The fact I decided to record the Beethoven sonatas doesn’t mean I won’t feel differently about them in 20 years. I knew I would go deeper if I was forced to record them.” – Jonathan Biss
I can definitely say for myself that I used to approach late works with a happy-go-lucky naivety, concerned more with surface musicality than profundity. Studying one of the last three Schubert sonatas in the past semester, though, has really opened my eyes. Many of the notes, harmonies, and melodies look straightforward and simple at first glance, but a surprising amount of struggle and depth of thought is required to express this highly nuanced, poetic music intelligently–yet organically. “The notes are easy, but the music is hard.”
What kind of music do you find difficult to approach because of its depth?
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